Kirell Benzi Studio designs and builds interactive installations, data artworks and AI tools for archives, for museums, brands and research teams. It also helps companies navigate the AI revolution, with workshops, proofs of concept and agentic workflows.
Installations people can touch, move through and remember, for museums, brands and public spaces.
The studio designs the experience and builds the realtime system behind it, with graphics, sensors, LED and projection.
For
Agencies, museums, venues, public spaces, AV and production partners
Work
Data turned into artworks and visual systems that people feel first and understand second.
Commissions for brands, research institutions and cultural venues, from a series of prints to a live installation.
For
Research teams, brands, museums, cultural institutions, public science projects
Work
Large audiovisual archives made explorable, with AI that keeps every answer tied to its source.
Search by meaning, maps, timelines and installations for broadcasters, museums and heritage collections.
For
Museums, broadcasters, archives, foundations, universities
Work
Keynotes on AI and data, written for each event, in French or English.
The audience can answer live from their phones. A half-day workshop can follow the talk, for a leadership or innovation team.
For
Conferences, leadership events, museums, universities and research institutions
Talks
Hands-on workshops, proofs of concept and agentic workflows for companies navigating the AI revolution.
The studio shows what to automate and how to keep humans in the loop, builds proofs of concept with classical machine learning, deep learning or LLMs, and sets up agentic workflows in the cloud or on premise.
For
Leadership teams, innovation and operations teams
What you get
Each commission is quoted from the brief. The budget depends on the venue, the hardware, the amount of content and how long it runs.
A print series usually takes about a month. An installation is scheduled with you from the opening date.
Who you are, the audience, what you want to make, the material or data, the venue, the date, the budget range and any technical or rights constraints.
The studio keeps ownership. Full rights, or a licence to run the work on your own hardware for as long as you need, can be negotiated. The studio asks to show the work in its portfolio.
Yes. The studio builds the software and coordinates with your AV, fabrication and venue teams.
Yes, anywhere in the world, with travel covered by the client.
Your team, with a runbook for calibration, daily operation and fallback states. Support after launch is agreed per project, with remote maintenance or a visit on site when needed.
It stays yours. The studio has no rights to it, never uses it to train models, can run the system on your own servers and signs NDAs.
An installation that responds to the people in it, so their touch, movement or choices change what they see.
Data art uses real data as its material. It stays true to the data and aims for emotion as much as clarity.
AI can make a large collection searchable by meaning, so visitors and curators find what they need by topic, place or date, with every answer linked to its source.
Yes. The studio uses agentic workflows in its own projects. It shows what to automate and how to keep humans in the loop, trains teams in hands-on workshops, builds a proof of concept so leadership can decide, and sets up the agentic workflow in the cloud or on premise.
A program built around a language model that is given a goal, data to read and tools to act with. It works in a loop: plan a step, use a tool, read the result, decide the next step. It can run on request or on a schedule, without a person watching each step, then reports what it did. Important actions can wait for a person's approval.
20 to 60 minutes, in French or English. A half-day workshop can follow, for a leadership or innovation team.
Tell the studio what you want to make, for whom and by when.
Contact the studio
